More old clippings

Tom2015More old clippings

Some of my favorite memories of doing this play were when Huck and I were hidden from the audience right in the middle of the stage and I always teased and pinched him unmercifully. This infuriated him and would whisper that I was “unprofessional” and he promised after the final curtain that it was “curtains” for me. Another was when “Injun Joe” a huge man with the bushiest natural eyebrows I’ve ever seen climbed a cliff in the cave towards me with murderous intent and a Bowie knife clenched in his teeth. At the last moment I dodged him and he fell into the chasm with a bloodcurdling scream.

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4 Responses to “More old clippings”

  1. jude3obscured Says:

    Hey, I remember that kid. Who was Aunt Polly?

  2. That was Marge Buchanan, she was one of The Children’s Theater of Richmond people. Mr. Hutchinson, called “Hutch” organized the co-operative production between the Boys Club theatre group, “The Troupers” and The Children’s Theater for this show. Hutch was the director of The Boys Club of Richmond for several decades and some staff at the Club thought he spent entirely too much time, effort and Club money running The Troupers. The Troupers, however, worshipped him like a demi god. He made some of us feel important for the first time in our lives. Although our home stage was at the Boys Club, half of The Troupers were rather pretty girls including the Neblett sisters. That’s where I became good friends with Jude’s brother and several other people who had a profound effect on my life as did Hutch. Hutch not only directed the play but wrote this adaptation for the stage. The play was very well done, very entertaining and true to the Mark Twain book, really quite an achievement. Hutch was good at directing and casting the show and it was quite a success selling out one of the largest venues in Richmond at that time for seven shows. If you ever went to the The International Bazaar, the huge multicultural event at the Mosque each year, you can thank Hutch for that great benefit for The United Givers Fund, it raised millions over the years. Since The Troupers didn’t hang out with The Children’s Theater folks I had no interaction with Ms. Buchanan except onstage. She and her character both were rather skeptical of me so there was little chemistry onstage between us.

  3. In Memoriam: W. R. Hutch Hutchinson
    Posted by Bruce Miller
    There were/are a couple handfuls of great men in Richmond theatre. These men will long be remembered for extraordinary talent and for modeling selfless commitments to theatre as an art form. For them, theatre was much more than an avocation or job. It was a calling.

    Richmond theatre would be nowhere without them.

    These men were committed not only to the art form but also to Greater Richmond. They pursued their callings here by choice. They were leaders and servants, forward thinkers and caretakers of the past.

    Among those who have died, Barksdale co-founder Pete Kilgore certainly belongs in this fraternity of honor, as do fellow Barksdale legends Fred Haseltine, Mallory Freeman, Jay Lundy and Kim Strong. (Fred and Mallory also acted extensively and provided leadership at Virginia Museum Theatre; Kim acted at Swift Creek and acted and provided leadership at Theatre IV).

    William Robert Hutchinson, whom everyone knew as Hutch, died on Thursday. Attention must be paid. Anyway you look at it, Hutch was one of the few who earned the honor of being among the Great Men of Richmond Theatre.

    There’s a nice tribute piece in this morning’s Times-Dispatch. Unfortunately, some of the Richmond theatre history noted in the T-D is incorrect.

    Hutch’s greatest contribution to Richmond theatre history, in my opinion, was his founding and artistic direction of the Experiential Theatre, and his creation of The Empty Space theatre facility in the basement of the Boys’ Club facilities located at the intersection of Robinson and Kensington.

    The Times-Dispatch says, “In 1995, three years after retiring from the Boys’ Club, he founded the award-winning Experiential Theatre in the club basement. After a short run, the group folded, but Mr. Hutchinson continued to rent the venue, dubbed The Empty Space, to other experimental groups for several years.”

    I don’t pretend to have the exact dates in front of me, but I know the T-D dates are about two decades off. Hutch founded the Experiential about the same time Phil and I founded Theatre IV, which was 1975. I hope Matthew Costello will weigh in with a comment—I’ll phone him on Monday—because when Matthew was in his early 20s he was very involved with the Experiential and with Hutch.

    The Experiential had a huge impact on theatre in Richmond, and then slowed down in the late 70s or early 80s. By approximately 82-83, Theatre IV was renting The Empty Space for its adult audience season.

    It was during our watch, and I report this with a significant feeling of guilt, that The Empty Space was shut down by the Richmond Fire Dept. due to inadequate sprinklers and egress. The facility had stayed “under the radar” during the Experiential days, but the increased scrutiny brought about by Theatre IV’s use of the space brought about its undoing. About six years later, the Fire Dept. also shut down Stanley’s Backstage for the same reasons after Theatre IV assumed residency there.

    Hutch was not retired from the Boys’ Club when he founded the Experiential and created The Empty Space. He was very much large and in charge. By the time he retired in ’93, and then began new theatre ventures in ’96 (perhaps reviving the name Experiential–I can’t remember), he was producing at the Windy River Winery. I hope Erin Thomas, who was in Hutch’s production of The Seagull at the Winery, will weigh in with some accurate info. Stephanie Kelly, who was a good friend of Hutch’s, may also be able to shed some light.

    I’ll be writing more about Hutch, the Experiential, and The Empty Space in the next few days. I’ll try to get the facts straight. It’s important to me that Richmond theatre history is honored, or at least accurately recorded. Please feel free to pass on any and all info you may have about Hutch. He’s deserves our remembrances.

    Hutch was an amazing, hard working and inspiring talent. With affection and respect, we will dedicate our upcoming production of Children of a Lesser God (which Theatre IV originally produced in The Empty Space in the early ‘80s) to Hutch’s memory.

    –Bruce Miller

  4. corndoggie Says:

    Huck here. Gee, Roto and Bruce, I somehow missed this post. I mourn my mentor and surrogate father. Expect to see a Facebook group in his memory before too long. Gather materials and stay tuned…

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